Great Acting and Writing Make A Weird Comedy Work
8 / 10Sakebitosan · 2020
[Currently available on Viki]
This one took a while to grow on me, but once I got past the robotic weirdness of Kitagawa Keiko's Sangenya Machi (Sangenya-Chief a.k.a. San-Chi) character, I was hooked and enjoyed every minute of it.
That robotic thing was something of a flaw in the way there was never any deviation from the wooden characterization, though given the context of a comedy it was not a huge one. She's an automaton throughout and never once cracks a smile, but Kitagawa's skill as an actress enabled shoehorning some vague hints of emotion into her character in some scenes - yet so vaguely that you as a viewer could never quite be sure.
In a way the San-Chi character reminded me of Mita-san in the creepy drama "Kaseifu no Mita" ("I'm Mita: Your Housekeeper," as it was titled when Crunchyroll still had it.) In that one there was occasional comedy but it was mostly grim, depressing and dull - but it too featured a lead character who was robotic in the extreme. The fact that "Ie Uru Onna" is an excellent comedy saves it, making the weirdness of the lead character a positive element rather than a negative one, and allowing a suspension of disbelief on... a really weird character.
All of the supporting characters are unique, loopy individuals, perfectly cast and acted, and the plots and dialog are always clever. I actually "got" the pun that Yashiro-san threw out in one of the final episodes when Sangenya-Chief did her trademark "GO!" He mutters "Ichi - ni - San - Chi - GO!" I about fell off of my chair on that one.
To be sure it's not weighty food-for-thought, just a great upbeat comedy. But it does give some interesting insight into the workings of the real estate business in a big Japanese city. It's also a celebration of reason and of confident competence in San-Chi's brilliant problem-solving ability and in her true statement that "There is no house I cannot sell!"