Jackykero

So this is really your typical High-school dorama.
With the romance, the friendships, the story that develops as you learn each character's past and story, the teachers, the family, etc. With the twist of the Q10 robot bringing a touch of Sci-Fi. I say a touch of Sci-Fi because it really is not the central part of the story, and actually does not make much sense (if you are a Sci-Fi nerd you will find many inconsistencies so don't even try to find any logic anywhere), and is not even explained properly.
The point is, it is a high-school dorama, and if you're up for it, it delivers.

The premise of the series has been done before: 2 people from different backgrounds switch bodies (in this case a young single working woman and an older homemaker mom). But it usually works, and it does this time.

It has all the qualities it needs: the story is well written, some new elements come regularly to spice up the story and it does not repeat itself, the acting is good all the way through (Suzuki Sawa is showing her talent for comedy), the pace is maintained and the comedy works.
So sit back, relax, and enjoy :-)

Hanzawa Naoki is a well-rounded, well-acted drama centered around the character of Hanzawa Naoki (portrayed by Sakai Masato) and his battle against seemingly impossible tasks.

I will start by commenting on the similarities and differences vs. Legal high, that people often compare it to. My opinion is that the only common thing between these two jdoramas is the main actor. Other than that, they are very different series, and comparing them does not make sense or justoce to either. Legal high is a comedy, in which Sakai Masato plays outrageously to build on the comedy.
Hanzawa Naoki is a drama, with its fun moments, but it is a drama. The characted played by Sakai Masato is quite different, and he does an absolutely fantastic job depicting the character, bringing such intensity to the acting that few other actors would have been able to.

Now for the series itself. It is simply a very good drama. The scenario is well written, it unfolds in 2 parts (at the branch and then at the head office) while the back story reveals itself. The acting is superb (I already mentioned Sakai Masato but Kagawa Teruyuki is particularly impressive as the evil Owada, and Ueto Aya is surprisingly good is her supportive role). The side stories work and are again well-supported. You get the occasional laugh and the story is not dark.

All in all, a very good drama that will make you forget the performance of Sakai Masato in Legal High and only remember this one. A recommended watch.

Far from other exciting doramas with comic effects, cliffhangers, innumerable twists and unbelievable coincidences, "Mou Ichido Kimi ni, Propose" offers a slower-paced, more realistic storyline that is supported by a good script and efficient actors.
But don't think it is too slow, boring or uninteresting. The story flows nicely so that new elements are brought regularly, secondary stories interconnect with the main plot, supporting cast brings comic relief, so it will keep you going until the conclusion - which is brought, as everything else, with a lot of logic and subtlety.

Very silly, but with no pretense, and it easily achieves its intended goal, which is to entertain. Ishihara Satomi fully reveals her comedic power, which I'm sure we'll more of after this series!

The story is short and the historical background is interesting, but I agree with doramafan that Kusanagi Tsuyoshi was not at his best. To his defense, the way his character was written was a little over-dramatic and hard to believe, so his limitations as an actor could not compensate for a role that is hard to support. Kanno Miho did a flawless job per usual and kept me going to the end.

The story follows three very different sisters in their very different love stories.
The stories are very well written. I will agree with other comments that the scenes of domestic violence are a little bit too obvious and extreme, but that's an unfortunate consequence of the dorama format, as there is no time to develop the tension. Nevertheless, I think they were some of the most realistic ones when it comes to jdoramas.
On the other hand, I really enjoyed the fact that the stories are not the typical material you usually find in dramas, and the characters felt more real.
The stories and characters are interesting and make sense until the end, and you will gladly follow the three sisters through the changes in their lives.

Tokyo Zenryoku Shojo is a classic, well-written and well-acted comedy, that avoids the classic themes. There actually isn't really a main theme for the series, instead it follows the adventures of Urara as she pursues her goal of making her dad happy.
The whole cast does a wonderful job, supporting a script that is well-written, with characters that make sense. You are left with cliffhangers at the end of most episodes, and the story unfolds nicely until the end.
A quality comedy that will get a few laughs out of you.

Loved it.
Light, funny, interesting, well-acted, realistic, the right thing to spend a good moment watching television.
I wish Inamori Izumi were offered more lead roles, she proves here that she has the talent and can carry a dorama on her shoulders.

Great story, more the material of movies than doramas.
The story and actors are splendid, but don't expect a high-paced, funny and unrealistic dorama. This is serious work, but if you're up to it, it is a treat.

Kimutaku seems to be doing 2 types of doramas recently: the serious historical dorama, and the light-hearted comedy where he plays the same cool-guy that we have learned to like.
Well this one falls in the second category, and is perfect from beginning to end: strong storyline, great supporting cast (liked Karina a lot in this one), good comedy, twists and all, and it keeps you going till the end.
If you liked "Mr. Brain", "Change", and others from Kimutaku, you will enjoy this one.

Within romantic doramas, this one falls in the category of the more serious and realistic types. The setup is a bit gloomy, Ueto Aya trying to commit suicide, but the development of the story makes sense, goes at the right pace, and touches many other societal topics that help make the story all the more interesting. The pace is not too quick, but that's how things are in real life.

Takenouchi Yutaka and Ueto Aya are perfect in their role, the supporting cast is very good and brings the comedic relief to the story.
If you are looking for a more interesting romantic story, this one will keep you watching till the end.

Every season, a whole lot of new dorama are released, always around the same themes: there's the pure comedy, the romantic comedy, the tear jearker, the detective story, etc. Sometimes comes along a different one, and IS is one of them.
What makes it different is the theme of the dorama, "IS", or "Intersexual" as they call it. Whether it is based on real(istic) characters or not is not what matters really, but that it allowed for an interesting story, a different development of characters than what you usually see in jdoramas.
So if you are ready for something a little different, a little more gripping because the characters are different, IS is for you.
As for Fukuda Saki, she manages to portray a (quite) realistic boy turned girl turned boy characater, and the storyline offers the right amount of cliff-hangers and twists to keep you going to the end.
Recommended.

Not your typical dorama, but if you are ready to accept a few things, you will absolutely love it:
- Not a faced-paced action-packed dorama. Everything is subtle, set in the everyday life.
- The best acting I've seen in any dorama so far. Great acting from Abe Hiroshi and Yamaguchi Tomoko is no surprise, but others less famous like Miyazaki Aoi, You or Nishida Toshiyuki really impress. It is clear that the outstanding acting is something that was fostered by the director, who's filming as if he was a fly on the wall, letting the actors bring life to their characters
- The story grows on you, and you find yourself eager to see what's coming next, and this is done without any artifice (no cliff-hangers). You come to enjoy the life of the characters and wanting to know what they are going to do next.
- A very realistic story, all characters make sense
- Real humor, humor from situations and everyday life

Definitely a recommended watch for anybody. Even if you are most attracted by modern fast-paced series, I would still recommend to give it a try, go through the first 2 episodes and then make a decision. By the time you finish the 10 episodes, some of these characters, and some of the best moments of the movie, will stay with you.

This is a good, well-written, well-acted romantic comedy jdorama. Not a revolution, nothing too original or unforgettable about it, but well-rounded and very pleasant to watch.

I agree with Wynter as I had the same concern about having Matsumoto Jun in a lead role, but he ended up doing his usual act, not impressive but not bad enough either that it comes in the way of the story.
As for Takeuchi Yuko, she brings to the series the same great acting, romantic vibe and comedic quality that can be found in her other romantic comedies (Pride, Bara no nai Hanaya, Lunch no joou, etc.)

The one element that surprised me is the fairly realistic storyline. Although it is a romance and we would have forgiven some unrealistic development just to allow the love story to unfold, it stays in the realm of realism, particularly considering the special situation of a single-mother.

If you are looking for a well-done romance, this one will work for you

This dorama has everything one is looking for in a comedic jdorama: a great cast with strong leading characters (Sakai Masato invents a unique character, over the top but almost in a credible way, and well balanced by the calmer play of Aragaki Yui), a lot of side-jokes, sub-plots with good characters, a fast-pace editing, good character development (with some ambiguity that adds to it), and the combination of a new story for each episode & a larger plot that unfolds towards the end.

If you're looking for one of these modern well-executed comedies (something like Hotaru no hikari or My Boss, My Hero) with a lot of good laughs, you're in for a treat!

This dorama is unusual as is it made of 6 episodes, 1:30 hours each (the last episode is 2 hours long), which were filmed and aired every year from 1997 and 2001.
It follows the life of a young deaf woman (Kanno Miho), then of her and her husband, then of their family after they have a child together. Each episode addresses several challenges and narrates how they face them together.
The story is touching overall (without being over-dramatic), the storyline and acting are very good, there is some comic relief and the whole story develops at a calm pace that is never too slow. The unique filming method over 5 years adds a touch of originality, as you see the actors and characters evolving together. A good dorama that I would recommend for those who appreciate well-written realistic storyline.

I liked Code Blue a lot.
The cast, the characters, the story, the modern execution, the fast pace, the good balance between the story and the character development.
I liked Code Blue 2 as well.
The cast, the characters, the story, the modern execution, the fast pace, the good balance between the story and the character development.
But... it was like watching Code Blue again.
Yes it goes a little further into the characters, but not so much, and there are no suprises either, and the background medical stories are pretty much the same as in the first series.

So my conclusion: if you really enjoyed Code Blue, you will enjoy Code Blue 2. Too bad they did not try a little harder.

One of the great romantic comedy doramas in my opinion.

What I look for in romantic comedies is:
- Good acting. Nagase Tomoya and Aibu Saki were perfect, and the supporting cast very good as well
- Chemistry between the lead actors and characters
- An intelligent romantic plot, with a little bit of realism
- Light-hearted moments, particularly with the supporting cast
- A good development of the story, with surprises and twists

Utahime has all of that, and it's well executed!

One of these good comedies.
I compare it a little to Mr.BRAIN, as a typical jdorama-ization of an American concept, in this case the CSI series. Just like Mr. BRAIN, under Japanese hands, the concept becomes more of a comedy, but structured also around cases that the heroes have to solve.
The cases make sense, the comedy is good, the cast perfect (kudos to Amami Yuki for her comedic talent), the character development well done, the pace is fast and keeps you hungry for more, and most episodes will feature an interesting twist toward the end, adding some spice to it. Even the filming is modern and interesting.
All in all, a very good time to spend in front of the TV! Can't wait for Season 2!

Bengoshi no Kuzu is a fun light-hearted comedy, based on funny characters , lawyers in a small firm which will deal with 1 case per episode.
Each episode has the same layout: a new case is given to the 2 main leads, the senior and crazy Kuzu and the fresh lawyer Takeda. The young lawyer does all the serious work while the old one has fun, and finally creates the surprise by being the only one who undercovered the truth at the end of the episode.
The cast is good and all actors play well, the jokes are funny too but the repetition is a bit too much beyond the 5 first episodes.
I believe that more character development or interaction would have given more depth and interest to this series.
To conclude, I'd say it's a fun comedy to try with medium expectations, and you don't have to go to the end of it anyway. There is nevertheless one good reason to at least watch 1 episode: the extraordinary performance of Toyokawa Etsushi, so different fromhis usually serious roles such as Aoi Tori. I could not believe my eyes !

For those who've read the manga and liked it, you will be pleased to see that the adaptation into a dorama was quite well done.
Because it is for TV format, some of the explicit violence and sexual content of the manga (as for instance the arm cutting) has been removed, but the dorama manages to convey the same uneasiness and violence with the acting, the good directing and the music.
The plot is very faithful to the manga, and that works well as the pace of the manga was well adapted for a jdorama format. The acting is overall very good, making some of the shortcuts credible to the end.
All in all a very good dorama on bullying, one of the most significant and realistic on the topic, and a recommended watch whether you've read the manga or not.

A perfect example of what happens when the Japanese decide to copy an American show (or should I say, when they decide to copy several American shows and movies). They don't just copy it, they import the concept and transform it into what they know how to do and enjoy: jdoramas !
This one had a bit of CSI, a bit of "24" and a bit of some more, but then... completely different because it has become a dorama with less-than-optimal detective work, home-made special effects, some overacted roles, but good Kimutaku acting and comedy as usual, lots of typical Japanese situational humour, dorama themes and comedy.
So it's a good series to watch for pure simple entertainment, if you're looking for a good comedy dorama, and not for a CSI - Japan :-)
It is full of cameos too, including some good actors and actresses.

A short and fun comedy that manages to use 2 classic tricks of doramas: the exchange of bodies and the difficulty of romance between two different worlds (punk vs. high society). The result is a good and funny dorama.
All actors are fairly good, the lead actors that had a difficult job (it would have been easy to overact in these kinds of roles) did it well, the script is good with the occasional twist. There are only a few hard-to-believe scenes that are quickly forgiven for the sake of the development of the romance and also because it's only 5 episodes.

So all in all a very good comedy. Recommended.

Note: Fans of Shinohara Ryoko, don't count too much on seeing your idol. She has a very very minor role and briefly appears only in the final episode :-)

I was a bit disappointed. The story is good, and the actors all right, but it was very classic, and not exciting enough for me.
I categorize this jdorama as "nice watch" but not more than that.
The part I enjoyed best was looking at the act of Fukatsu Eri, very sweet and innocent with her young and round face, different from all the other roles I've seen her play after this one.

I very seldomly give a dorama a 10, but this one deserved it.
It's been a long time I haven't watched a dorama like this, I thought they did not make them anymore. I does not have any special effect or any innovative filming technique, it is just a very good story, well written, with some twists and surprises here and there to keep you going, the actors are all very good - even the younger or less famous ones every episode makes sense and does not drag, there's a good mix of adventure, comedy, a touch of romance.
Ahhhh, it's good to watch a good dorama like this one :-)

I always enjoy these old doramas where real (good) actors used to play instead of eye-candy jpop singers. This is one of them.
This is a family comedy with a simple storyline, progressing one episode at a time, written and filmed for the purpose of entertaining us.

The team of actors do a pretty good job at it. For the fans of Yamaguchi Tomoko, this is her at her best, delightful in being funny and natural, and infusing her style and personality in her role.

It does remind me a bit of "My little chef", although "Ohsama no resutoran" was aired 7 years earlier, in the structure and comedic relief and even scenario, except "Ohsama no resutoran" seems a tiny bit more realistic.

This was a good surprise to me as well. None of the actors is really famous yet, yet all of them did a very good job. The storyline is quite conventional, and some twists are predictable, but not all of them, and all characters are enjoyable.
This is a classic teenager romantic comedy with 2 high school students who are destined to be together but keep missing each other for all the wrong reasons. Some serious elements are included in the storyline, such as drugs, suicide, divorce, etc, but not for the purpose of writing a serious story, only to give the story some new twists. The dorama is never dark though, some moments are sad (but is there a romantic dorama without its sad moments?) but never dark.
I recommend it for fans of romance in the teenage years.

I enjoyed this dorama, espcially when I was getting to the last episodes.
The story is rather classic and the twists a bit predictable, but what makes it good are the good actors (very good Nakatani Miki) and the chemistry and well-paced progression towards the end of the series. We know quickly how it is going to end; but it is enjoyable to watch it happening.

I categorize this one in category of the well-rounded, well-written, well-acted, well-directed modern doramas. Nothing disappoints there, there is a little bit of everything: good plot overall, nice and different characters, good acting across the board, some touches of originality, some comic relief, some romance, a strong lead actress (I have to admit that I am a big fan of Kanno Miho and was not disappointed again).
I found 2 weaknesses though: first, the fact that there's not much that is really outstanding in this dorama, except the closing scene which I absolutely loooved (I played each one 3 of 4 times), but that's only 30 seconds or so. Second, I found that the plot held up well until episode 5 or 6, then obviously the writers were looking for ideas, and they reverted to classic tricks (but it still was well done)
My conclusion: it probably won't be an unforgettable moment, but I don't think anyone will be disappointed by this dorama.

I agree with most of what's been said above.
I relate it a bit to Iryu, for those who have seen this other medical dorama. Same team of various characters, same fast pace, same modern filming style.
I only give it a 7 since I was hoping for a little more of character development and a little less of surgery. I think there was room for a little more interaction between the 5 main characters, particularly on the size of Aizawa-sensei / Yamapi.
It was still a very enjoyable watch, with only good actors and a fast-pace that keeps you entertained to the end.
Don't miss the Special, which closes the season much better than the last and eleventh episode.

As much as I love to see the acting of Shida Mirai, this show was just not for me.
I guess that this dorama is alright, it is well done, the story seems interesting, the special skills and personal stories of the main characters are revealed little by little, all in all it is ok.
But the audience has to be pre-teens, except maybe for the crime scenes that are very graphic.
Watch it if you're 14 (physically or mentally :-)

Lots of good things in this good comedy. The actors are good (excellent performance of Shida Mirai as usual), the storyline fast-paced and inventive, the characters entertaining.
You have to like Shida Mirai though to enjoy this dorama. She does most of the comedy, and you have to enjoy her exaggerated acting that makes the comic relief of this dorama.

Nice dorama about friendship and about complex love relationships.
I thought that the plot was interesting and the cast really did a great job, all of them, but unfortunately that there was not enough. Not enough excitement (the pace is moderately slow), not enough characters (it explores so many characters but then none really deeply), not enough surprises or twists (and some fake ones).
All in all, I think it had all that it takes to make a grand dorama but was a little short of everything.
Still a very nice watch with great actors and a good time spent in front of the TV.

I think it is the first time I fast-forward the end of a j-dorama.

The dorama is set up to be a romantic comedy between 2 lead characters, with a third one who comes for a few episodes to make the romance last a little longer. There is a recurrent theme with insects at each episode to bring some different flavor to the show, and some second plan characters to add some comic relief.

Unfortunately, even with a popular and talented lead actress (Takeuchi Yuko), this dorama proves that putting the ingredients together is not enough, it needs something more. Everything in this series is not good enough.
- The story is not elaborate enough, some episodes seem just to be dragging
- The relationship between the 2 main characters is superficial
- The acting is so-so (Takeuchi Yuko is great as usual but that is not enough to make it up for the other actors)
- The references to the insects might be fun the first couple of times, then it becomes forced into the story
- The comic relief is far from good.

I am a big fan of Takeuchi Yuko and this is what took me to the end of the dorama, and made me give it a 5, but all in all, it is a disappointment.

I thought that Ame to Yume no atoni is a rather classic, a bit slow-paced, well-played dorama with a touch of originality (the very mild horror scenes in the first episodes) and some flaws in the script.
I say it is going a bit slow because right from the start, you know what the end will be since you know that the father is dead, so the whole story is to lead you to the moment when he'll have to say goodbye, and along the way they encounter other ghosts, unveil some information about the other characters, etc.
As bba1 said, there are many strange things about the ghosts that are left unexplained, and the reactions of the father does not always make perfect sense, but this is a simple domama and you have to accept these things to enjoy the rest of the story.
Now, the actors are all very good (note that in the jdorama database Hayami Mokomichi is mentioned first, but he is only playing a second plan character), and there is some comedic relief and some surprises in the story.
All in all, a nice watch, but not an unforgettable moment.

I won't say much - just that it is great and refershing to get to see a dorama with a real story, a complex plot, and characters with a story.
The actors are great and reinforce the quality of this dorama that could have been a movie.

Yes there are so many controversial topics in this dorama. But they all fit in a rather classic plot about friendship and people overcoming their differences and their past.

I thought that the plot was good, with a lot of twists. The acting was mostly very good (OMG Ueno Juri what an act), despite some situations being a bit awkward (there were some shortcuts, particularly on trying to explain why Michiru so easily submits to his violent boyfriend).

All in all, a dorama of very good quality and excellent casting, definitely worth your time, even if despite the attempts to make it different with all of these difficult topics, it remains something classic that won't make it to my Top10.

Some will like it, some won't. It is an unusual dorama, built around a series of games in which the main characters (Erika Toda and Shota Matsuda) take part. It is not 10 games though, it is only 4, and they are all very different, so don't expect something repetitive.

I think what makes the dorama interesting is the good acting, the chemistry between the main characters, the suspense as you never really know how the situation will change in favor of Erika. And there is an overall plot that goes from the first to the last episode.

I understand that some may not like the "game" setup of the dorama, and maybe the exagerated acting of some of the supportive cast, but I would say it is worth to try Liar Game, it is difficult to know if you'll like it or not unless you try at least episode 1, then you'll figure it out on your own. For me, it worked, I liked it till the end.

For those who have watched Iryu 1 already, this is as good as the first one. Some members of the original team are still there, but the new members of the team come with interesting background and make the show worth watching.
The setup in 2 different hospitals and the additional role of the financials also bring something new to the show.

I really liked the fact that it did not feel at all like they had just re-filmed the same series (as Gokusen 2 or 3 for instance), but really wrote a scenario that continues the original series.

The music is still great, the filming very good, the cast all perfect.
If you liked Iryu, you will like Iryu 2.

This is a slow-paced dorama. There is a lot of emotions and feelings of loneliness throughout tis dorama, and the director uses the sceneries and places to express these feelings. It is slow, but it does not drag, so you will not mind the pace.
It is unconventional. Unlike most doramas that revolve around the same idea, same plot, or always happen in the sames places (the school or the office, the home, the exact same restaurant, the sea front, etc), this one happens in all sort of places, and has an evolving plot and storyline.
It felt much more like a very long movie than a dorama actually. It is constructed like a movie, with a real story, the actors are top-notch, there are no cheap tricks, and there is a meaning to it. So, that's a great watch if you are ready for something more meaningful than a light-hearted comedy dorama.

CAST
A note about the casting as I find the Cast list above a bit misleading.
The main roles of the dorama are Kusanagi Tsuyoshi (lead role) with Zaizen Naomi and Kanno Miho.
Karasawa Toshiaki and Katori Shingo only do a cameo of less than 30 seconds each, in the last episodes. I did not even see Kimura Takuya or Nakai Masahiro, I wonder how I could miss them though. So for you Kimura fans don't be disappointed.
Also, fans of Takeuchi Yuko will be happy to see her in a small role in one of her first appearances in a dorama.

REVIEW
Ii hito is a light-hearted comedy, supported by a brilliant cast (if you can accept Kusanagi's a-bit-over-the-top acting, although it works well in this dorama), with lots of characters of interest that add to the story.
Zaizen Naomi plays her part very well and Kanno Miho's acting is so good that she makes us completely believe in her super-naive character.
I would recommend it if you are looking for a nice comedy to watch.

SYNOPSIS
A boy and a girl from highly different social backgrounds meet and fall in love. Their love, of course, faces a lot of obstacles. Hiroto Kanzaki (Kazuya Kamenashi) works hard every day and night for the survival of a small ship repair factory (inherited from his father) as well as the survival of his mother and younger brother, who are suffering from health problems. Living such an underprivileged life, Hiroto has forgotten how to smile. In contrast to him, Nao (Haruka Ayase) is the daughter of a popular jewelry shop owner in a fashionable street in Yokohama. She attends a prestigious exclusive women's college and grew up cheerful and blessed with affluent love. From the moment Hiroto meets her, his closed mind slowly opens up to Nao, who is so innocent that she utters whatever she thinks. Their three close friends, who are also 20 year old's, play an important role in their developing relationship.

REVIEW
Tatta Hitotsu no Koi is a very very classic romantic teenager story. It has all the cliches (poor boy loves rich girl, families are against it, boy does not know how to express his feelings, keeps running all the time in the streets to catch her), but is well done.
The acting is good, even Hamenashi manages pretty well, the story is well written, the side stories bring some additional interest.

It is probably not a dorama that you will remember forever, but you will find it very pleasant to watch and touching at times.

Galileo is a good detective series, structured with one new case by episode.
The cases are interesting and captivating, either because you cannot figure out how it happened and need to watch it till the end, or because you know how it happened but you wonder how the detective and the scientist are going to figure it out.

The cast is great, with very good acting by everybody, especially from Shibasaki Kou who surprised me again with her very natural acting. The many cameos add also some fun to the watching.

There is comedy in the series as well, which makes it a very good mix of mystery, comedy, drama, a touch of romance (really a touch :-) for a good detective series.

The only thing that bothered me was the fact that the scientist always needed to write equations to solve the cases. That was total nonsense, especially if you can read the equations and see how stupid they are. Anyway, that's only 1 minute in the show so learned to endure it.

I compare this dorama to "Hero" more than "Trick". There are mysteries that seem magic as in Trick but the real point of the series is the character development, as in Hero. I also compare it to the American series "numb3rs" although I think Galileo is much more fun to watch.
So go for it, you'll find something to enjoy in Galileo !

Set in a town called Sasara, strange events occur one after the other. The episodes in this drama are interweaved tales from popular skilled author Kano Tomoko's books, "Sasara Saya" and "Teru Teru Ashita." In this new re-telling, we get a one-of-a-kind view of this fantasy world. The main character, Teruyo, writes of various parent-child relationships and also of couples' love. With a mix of mystery and horror genres, "Teru Teru Ashita" provides a little thrill as well as being a fantasy drama which allows you to understand love and kindness. So on Friday nights, won't you come and experience the warmth of a little town called Sasara?

A typical good dorama for me.
Nice story, with its load of small surprises and small twists along the way, the past of the characters is revealed as we go along to keep you interested.

This is mostly a Romance with some comedy brought by the additional characters, in a classical setup.

The acting is flawless from everybody. Yuko Takeuchi is perfect as usual I think, the little girl is very good, and the good surprise for me was Shingo Katori. I usually find male leads quite boring or unable to express anything. He was really good, not that he had the most difficult character, but he did it just right and inhabited the role perfectly. I particularly enjoyed the moments with his daughter.

All in all, not an incredible dorama that I would put in my top10, but a very well crafted and acted romantic dorama.

Because I have seen Hero before watching Odoru Daisousasen, there was no way I could not compare the 2. The general plot and structure of the 2 doramas are quite similar: for both series, each episode is structured around a case that the main character is involved in. The detective is a bit of a maverick with different methods and beliefs. And there is a small romance with a female co-worker.

I think that Odoru Daisousasen did a pretty good job. Oda Yuji was very good and charismatic, and all supporting lead did great, including the comedy parts. I was looking for a little bit more romance, though, that would have spiced up things and added some depth to the characters. The relationship between Oda Yuji, Fukatsu Eri, Yusuke Santamaria and Mizuno Miki was easy to create a bit more of chemistry and emotion between the caharacters. This is why I gave it a lower rating than Hero.

It remains a very good family dorama with good acting and an interesting storyline.

Although this romance is triggered by the blindness of the male character, it is not like the other tearjerkers where one of the 2 lovers is about to die. I watched this dorama as a wonderfully written romance. The story is without too big surprises (except for the expected twists to the plot) but well written anyway, all actors are very good (as always Kanno Miho is unbelievably good), and the love story unfolds at a perfect pace along the episodes.

The dorama in itself is funny, light and enjoyable, at no moment dark or depressing, it is really a wonderful and fun Love Story.

Recommended for anyone looking for a good Love Story (compare it to Long Vacation)

I agree with most of the reviews made previously although I want to do Shaku Yumiko a little more justice. Yes, I agree that she is not the best lead actress there is, and her acting somewhat relies a lot on the same facial expressions. But she still did a good job for me, it's not like she does not know how to play, or like her acting made it painful to watch or unrealistic; she did a good job, she just does not have that presence that some other actresses have.
And the rest of the cast was very good.
I personally really enjoyed Maya Miki whom I mostly remembered for her role in Attention Please, and who is portraying a very different and funny character. The transformation was unexpected.

I would recommend not to hesitate to watch this dorama. You will spend a good time with this light-hearted comedy and a bit unconventional scenario.

This is barely a review at this point since I only saw episode 1, but what I saw makes me believe that I won't change my mind after watching the rest (I will try episodes 2 and maybe 3 unless it improves).
It felt like exactly the same scenario - again !!! - as Gokusen 1. I could accept some repeat in Gokusen 2, but 3 times is too much.
If you have never seen Gokusen 1, skip this one and watch Gokusen 1 instead.

----**** Attention spoiler ****----
Let me convince you by telling you briefly what the first episode is about:
- It starts with the old Kyoto-sensei (Namase) with a problem class 3-D
- Yankumi (Nakama) is the teacher of a class on a remote Japanese island but is fired. She joins the Kyoto-sensei and discovers (oh surprise) that she gets the difficult 3-D class
- The class is a mess, they all look like gangsters and make a lot of noise, until a very quiet one at the far end of the room tells the others to be quiet and they all obey and sit down. Yankumi finds out he's the Boss of the class.
- One in the class tries to hit Yankumi, she avoids his fist but pretends she did not do it in purpose
- Within the other teachers, there are 2 others nice-looking young women thqt the bad behaving kids talk about
- The former gym teacher Baba joins the school but surprisingly forgot Yankumi's connection with a Yakusa family
- One of Yankumi's kids is wrongly accused of a theft, everybody thinks he did it except Yankumi, she fights for him and finaly the police let him go.
- While bad boys are beating one of Yankumi's students, she comes into a hangar and beats them all while doing a speech
- While running to school, Yankumi collides with a man that becomes the white knight of her dreams
- and so on, and so on...

It is exactly the same script, same jokes, same stories, same background music, with less interesting characters and different kids. Rhhhhhaaaa what I waste.