The leading characters in all the taiga doramas are obsessed with bringing about a peaceful, united Japan.
Yeah, sure. :crazy:
Yeah, sure. :crazy:
JDrama Cliches
Started by pcmodem · 11 Dec 2004 · 245 replies
Drama Discussion
This is really an axiom, not a cliche, but if a jdorama has a medical theme, that drama is completely preposterous.
š wrote:This is really an axiom, not a cliche, but if a jdorama has a medical theme, that drama is completely preposterous.
it's more than an axiom...it's a natural law of the universe.
Like the Ryoko-chan avatar, Tu. :D
Eve wrote: Tu. :D
OMG...i haven't seen you in AGESSSSSSSS :patpat:
From ANIME CAFE:
Law of Temporal Variability
Time is not a constant. Time stops for the hero whenever he does something 'cool' or 'impressive'. Time slows down when friends and lovers are being killed and speeds up whenever there is a fight.
First Law of Temporal Mortality
'Good Guys' and 'Bad Guys' both die in one of two ways. Either so quick they don't even see it coming, OR it's a long drawn out affair where the character gains much insight to the workings of society, human existence or why the toast always lands butter side down.
Second Law of Temporal Mortality
It takes some time for bad guys to die... regardless of physical damage. Even when the 'Bad Guys' are killed so quickly they didn't even see it coming, it takes them a while to realize they are dead. This is attributed to the belief that being evil damages the Reality Lobe of the brain.
Law of Dramatic Multiplicity
Scenes that only happen once, for instance, a 'Good Guy' kicks the 'Bad Guy' in the face, are seen at least 3 times from 3 different angles.
Law of Inverse Accuracy
The accuracy of a 'Good Guy' when operating any form of fire-arm increases as the difficulty of the shot increases. The accuracy of the 'Bad Guys' when operating fire-arms decreases when the difficulty of the shot decreases. (Also known as the Stormtrooper Effect)
Example: A 'Good Guy' in a drunken stupor being held upside down from a moving vehicle will always hit, and several battalions of 'Bad Guys' firing on a 'Good Guy' standing alone in the middle of an open field will always miss.
First Corollary - The more 'Bad Guys' there are, the less likely they will hit anyone or do any real damage.
Second Corollary - Whenever a 'Good Guy' is faced with insurmountable odds, the 'Bad Guys' line up in neat rows, allowing the hero to take them all out with a single burst of automatic fire and then escape.
Third Corollary - Whenever a 'Good Guy' is actually hit by enemy fire, it is in a designated 'Good Guy Area', usually a flesh wound in the shoulder or arm, which restricts the 'Good Guy' from doing anything more strenuous than driving, firing weaponry, using melee weapons, operating heavy machinery, or doing complex martial arts maneuvres.
Law of Juvenile Intellectuality
Children are smarter than adults. And almost always twice as annoying.
Law of Inverse Attraction
Success at finding suitable mates is inversely proportionate to how desperately you want to be successful. The more you want, the less you get.
First Corollary: Unfortunately, this law seems to apply to us in the real world...
Law of Uninteruptable Metamorphosis
Regardless of how long or involved the transformation sequence or how many times they've seen it before, any 'Bad Guys' witnessing a mecha/hero/heroine transforming are too stunned to do anything to interrupt it.
Law of Temporal Variability
Time is not a constant. Time stops for the hero whenever he does something 'cool' or 'impressive'. Time slows down when friends and lovers are being killed and speeds up whenever there is a fight.
First Law of Temporal Mortality
'Good Guys' and 'Bad Guys' both die in one of two ways. Either so quick they don't even see it coming, OR it's a long drawn out affair where the character gains much insight to the workings of society, human existence or why the toast always lands butter side down.
Second Law of Temporal Mortality
It takes some time for bad guys to die... regardless of physical damage. Even when the 'Bad Guys' are killed so quickly they didn't even see it coming, it takes them a while to realize they are dead. This is attributed to the belief that being evil damages the Reality Lobe of the brain.
Law of Dramatic Multiplicity
Scenes that only happen once, for instance, a 'Good Guy' kicks the 'Bad Guy' in the face, are seen at least 3 times from 3 different angles.
Law of Inverse Accuracy
The accuracy of a 'Good Guy' when operating any form of fire-arm increases as the difficulty of the shot increases. The accuracy of the 'Bad Guys' when operating fire-arms decreases when the difficulty of the shot decreases. (Also known as the Stormtrooper Effect)
Example: A 'Good Guy' in a drunken stupor being held upside down from a moving vehicle will always hit, and several battalions of 'Bad Guys' firing on a 'Good Guy' standing alone in the middle of an open field will always miss.
First Corollary - The more 'Bad Guys' there are, the less likely they will hit anyone or do any real damage.
Second Corollary - Whenever a 'Good Guy' is faced with insurmountable odds, the 'Bad Guys' line up in neat rows, allowing the hero to take them all out with a single burst of automatic fire and then escape.
Third Corollary - Whenever a 'Good Guy' is actually hit by enemy fire, it is in a designated 'Good Guy Area', usually a flesh wound in the shoulder or arm, which restricts the 'Good Guy' from doing anything more strenuous than driving, firing weaponry, using melee weapons, operating heavy machinery, or doing complex martial arts maneuvres.
Law of Juvenile Intellectuality
Children are smarter than adults. And almost always twice as annoying.
Law of Inverse Attraction
Success at finding suitable mates is inversely proportionate to how desperately you want to be successful. The more you want, the less you get.
First Corollary: Unfortunately, this law seems to apply to us in the real world...
Law of Uninteruptable Metamorphosis
Regardless of how long or involved the transformation sequence or how many times they've seen it before, any 'Bad Guys' witnessing a mecha/hero/heroine transforming are too stunned to do anything to interrupt it.
Tu_triky wrote:
OMG...i haven't seen you in AGESSSSSSSS :patpat:
Been missing you too!! :hug:
Real life drama can be time consuming. :doh:
As for a favorite drama cliche:
How about the fact that skinny guys like KimuTaku get to play studs in series like Pride and we all love it!! :mrgreen:
Eve wrote:
Been missing you too!! :hug:
Real life drama can be time consuming. :doh:
ain't that the truth! good to hear from ya...
As for a favorite drama cliche:
How about the fact that skinny guys like KimuTaku get to play studs in series like Pride and we all love it!! :mrgreen:
i don't think many women would refute that point. :mrgreen:
Great thread!! Enjoyed a lot reading it.
Although it seems that this topic was abandonned quite a long time ago, I wanted to add one thing that I have noticed in many doramas:
Have you ever noticed that japanese (above all working poeple) in doramas seem to drink beer (or any other alcoholed beverage) almost everyday?
I know that it is quite typical in japanese society to go to have a drink after work with your collegues, but I just wonder if they really go to drink that often in real life too, or is it only in doramas?
They also drink alone at home.
Some examples are Anego, Damenzu Walker, and I know there are many more, just can't remember them right now.
Although it seems that this topic was abandonned quite a long time ago, I wanted to add one thing that I have noticed in many doramas:
Have you ever noticed that japanese (above all working poeple) in doramas seem to drink beer (or any other alcoholed beverage) almost everyday?
I know that it is quite typical in japanese society to go to have a drink after work with your collegues, but I just wonder if they really go to drink that often in real life too, or is it only in doramas?
They also drink alone at home.
Some examples are Anego, Damenzu Walker, and I know there are many more, just can't remember them right now.
I don't know about drinking beer almost everyday but it seems like it. I was on a plane a few years back to Japan and saw a few ladies ordering 'Asahi' beer and me and my friend ordered too but it tasted :bleh:
I guess it was too bitter for me, I can't figure why Japanese ladies like drinking beer so much. :sweat:
I guess it was too bitter for me, I can't figure why Japanese ladies like drinking beer so much. :sweat:
and the youth likes to have karaoke.. :sweat:
How about this one: Whenever someone is hurry and they get to the elevator, they bang on the button 2 or 3 times, if the door doesn't open right away, they start running up the stairs. Which unless you're only going a couple floors from where you are is really stupid. They'd rather climb 15 flights of stairs instead of waiting another 30 seconds for the elevator !! :banghead:
too lazy to read the other pages...so don't know if this has been posted already - there are always chasing scenes or running scenes....why can't they use their bikes or take a cab instead ne? :confused:
it not just happen in j-drama but on the other too..
when somebody walking across the street and almost crush by car, the other one that try to save he/she just push the person, but finally they themself became the victim.
why don't just pull the person and both are save...(even in some scene it is imposible)
when somebody walking across the street and almost crush by car, the other one that try to save he/she just push the person, but finally they themself became the victim.
why don't just pull the person and both are save...(even in some scene it is imposible)
Steve wrote:it not just happen in j-drama but on the other too..
when somebody walking across the street and almost crush by car, the other one that try to save he/she just push the person, but finally they themself became the victim.
why don't just pull the person and both are save...(even in some scene it is imposible)
That is SO true!!! I've always wondered that myself I always have a moment where I kinda seize up when that happens LMAO My hands get like claws and I'm like 'why the hell didn't you get out the way too?' :bleh:
4Qbmr wrote:How about this one: Whenever someone is hurry and they get to the elevator, they bang on the button 2 or 3 times, if the door doesn't open right away, they start running up the stairs. Which unless you're only going a couple floors from where you are is really stupid. They'd rather climb 15 flights of stairs instead of waiting another 30 seconds for the elevator !! :banghead:
Roflmao! :rofl: Very true!
But this is not restricted to Jdramas. :D
Wow, I think this is the greatest thread I've ever seen in any drama forum.
The leading lady is almost always a submissive, shy, and unbearably cute japanese girl in her 20s who needs a good looking charismatic guy in his 20s,30s or in oda yuji's case, 40s, to save her from all challenges she faces in her everyday life.
The exceptions to this cliche can be found in the last couple dramas Shinohara Ryoko stars in where the roles are reversed, this in turn has become a cliche as well :rofl:
The leading lady is almost always a submissive, shy, and unbearably cute japanese girl in her 20s who needs a good looking charismatic guy in his 20s,30s or in oda yuji's case, 40s, to save her from all challenges she faces in her everyday life.
The exceptions to this cliche can be found in the last couple dramas Shinohara Ryoko stars in where the roles are reversed, this in turn has become a cliche as well :rofl:
LOL, this is good. What about romantic stories whereby one of the leads has to die. >< Just like Korean dramas.
Or, they don't confess their love immediately and it gets draggy till the end of the story. Just like other dramas too.
Or, they don't confess their love immediately and it gets draggy till the end of the story. Just like other dramas too.
sucigam wrote:Wow, I think this is the greatest thread I've ever seen in any drama forum.
You need to see more threads. :beaten:
Cliche? Misunderstandings at important moments. I HATE THESE! Like, the girl is in love with the guy for the entire series, without getting returned feelings. The guy FINALLY realizes he's in love with her. Goes to tell her. She sees something questionable regarding him and therefore her heart breaks. She flees from him.
Like why?!
Mind you, I actually DO like misunderstandings, but only when they're done right, and not when their overdone. Like I can tell HYD 2 will piss me off. :hehe:
Like why?!
Mind you, I actually DO like misunderstandings, but only when they're done right, and not when their overdone. Like I can tell HYD 2 will piss me off. :hehe:
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