Utada's English album didn't leave any memorable tracks, Exodus was pretty good and the rests were :bleh: I miss her japanese songs.
Jpop artistes reach a saturate state after 5-10 years (if some even last that long)after the debut. The musicians change style and music (usually to a negative side, in my opionion) eventually. First they start out successfully, they evolve and finally hit the wall. The music itself declines. What's I'm saying is, for instance, I used to love ELT old music, they were addictive and catchy but their music has declined steadily. What they have produced lately is plain horrible. "Commonplace" album was full of boring ballads. I was like "what happened to the ELT I used to love?" They either changed dramatically or just a saturate level hit them. After the incident I skipped the the current album (the previous songs in acoustic). Many musicians I liked have come to this state. Ayu's another well good example (in my opionion)
Is it just me or anyone else has experienced this issue? Maybe I'm being picky about the taste. I'm the kinda of a person who sticks to the same stuff until the end, "if it ain't broken, don't fix it".
Good thing is they are "replaceable" (this may offend some fans). People come and go, new jpop artistes appear and old ones leave. Nothing lasts forever. The pace is awfully fast and colourful.
The Day After Tomorrow really struck with their music when they released the debut album. The music sounded so ELT-ish, later found out an ex-ELT member, Mitsuru Igarashi, was behind the music. The group is still young, I'm sure they will achieve the goals they set. When I grew tired of the artistes I liked, I found alternatives and they turned out to be excellent! Such artistes and groups were Garnet Crow, Chihiro Onizuka, Kokia, Miho Karasawa etc. I kinda dread boy bands. I shall continue at listenin as various jpop as possible :victory:
Jpop artistes reach a saturate state after 5-10 years (if some even last that long)after the debut. The musicians change style and music (usually to a negative side, in my opionion) eventually. First they start out successfully, they evolve and finally hit the wall. The music itself declines. What's I'm saying is, for instance, I used to love ELT old music, they were addictive and catchy but their music has declined steadily. What they have produced lately is plain horrible. "Commonplace" album was full of boring ballads. I was like "what happened to the ELT I used to love?" They either changed dramatically or just a saturate level hit them. After the incident I skipped the the current album (the previous songs in acoustic). Many musicians I liked have come to this state. Ayu's another well good example (in my opionion)
Is it just me or anyone else has experienced this issue? Maybe I'm being picky about the taste. I'm the kinda of a person who sticks to the same stuff until the end, "if it ain't broken, don't fix it".
Good thing is they are "replaceable" (this may offend some fans). People come and go, new jpop artistes appear and old ones leave. Nothing lasts forever. The pace is awfully fast and colourful.
The Day After Tomorrow really struck with their music when they released the debut album. The music sounded so ELT-ish, later found out an ex-ELT member, Mitsuru Igarashi, was behind the music. The group is still young, I'm sure they will achieve the goals they set. When I grew tired of the artistes I liked, I found alternatives and they turned out to be excellent! Such artistes and groups were Garnet Crow, Chihiro Onizuka, Kokia, Miho Karasawa etc. I kinda dread boy bands. I shall continue at listenin as various jpop as possible :victory: