bmwracer wrote:
The Japanese equivalent to Charlie Chan, I guess. :sweat:
Unlike Charlie Chan who was a detective for the Honolulu Police Department, Mr. Moto was a kind of international secret agent. I've only seen a few of the eight Mr. Moto films with Peter Lorre in the eponymous role, and I have to say, as a sansei, I wasn't offended by the way he was portrayed. These films were made in the late 30's, and to be frank, there weren't a whole lot of Japanese actors working in Hollywood at the time. Yes, in hindsight it's not kosher having a Hungarian play a Japanese. But the scripts and Lorre's performance as Mr. Moto (at least in the films I've seen) were innocuous. Mr. Moto was portrayed as being smart, perceptive, extremely efficient, and tough. He had the full confidence and support of the people he worked with, and the only time he condescended into stereotype was to fool the bad guys into thinking he wasn't a threat. It's obvious from watching Lorre's performances that he respected the character of Mr. Moto.
I've only seen a few of the 1930's Charlie Chan movies (with Warner Oland), and yes, having a Swede play a Chinese isn't kosher either. But, like Mr. Moto, I think Charlie Chan, at least in the few movies I've seen, is portrayed in a very positive light.
Btw, Hollywood isn't the only one guilty of awkward racial casting. Ningen no Shoumei (Proof of a Man), first a movie made in the late 1970's, and then a dorama made in 2004, put a Japanese actor in black face and afro to portray a black man who grew up in America. Charlie Chan and Mr. Moto movies were made in the 1930's (not an excuse for the casting of whites to play Asians, but certainly an explanation of why it occurred); but to cast a Japanese as a black man in 2004 when you'd think people should know better? C'mon!