Freefall wrote: She is very much of a family man.
of a family WOman. :grumble:
Bill & Free, thanks for translating into words what everyone here thinks at the bottom of his/her heart.
gloomy wrote: I just feel like she doesn't have much of a say in the dramas she does.
Agree. Not only in the dramas, but in magazeines shootings too. ANd also in tv shows like telephone box, she's just asked to promote items, such as fashion bags etc. At least seh seems to enjoy some cm makings. Hmm and about music, though she personally put a bit of herself into it (or she was forced to write the lyrics to make a commercial argument, to replace the lack of PB etc.), I doubt she still can't choose nowadays what she'd like to sing, or not to sing.
@bc : wachigaya itosato : she plays a geisha in a period of japanese history I really ignore. Sorry.
@gloomy : could u sum up what's going on in Koto ? I only have the raw, no subs.
gloomy wrote:I think Oscar makes very poor decisions regarding the dramas they pick up for her...if Aya wasn't in Hotelier I wouldn't have watched more than the 1st ep. It's plain and boring. Kyoko is such an empty character too. + She should stick to roles of her "age". The whole "adult" thing is not working yet, I mean, she's just 21!
Regarding Hotelier, yes the pace is flat and it's a lack of direction. SOme scenaristics points are interesting (example : ep 8 the evil woman returns to the hotel) but nothing happens. There is never a really good scene of discussion between the lead characters. And the other characters are useless. Since ep3, I haven't seen one dramatic (= :puppydog: ) scene ... Plus, if Aya has so few experience in love relationships in real life, plus no acting lessons from a real school, plus if she's given a plain text in which u can guess every word ... :shakehead:
Dunno what happened in the director's head, it's the same as Tsubasa no oreta tensitachi right ?